Monday, April 16, 2007

Rosmersholm

Henrik Ibsen’s Rosmersholm seems to be an example of realism because the characters themselves, actions of the characters, and language used are indicative of everyday life. The characters were complex; there was not a ‘good’ guy and a ‘bad’ guy. In fact, the characters seemed to become increasingly complex as the play progressed, often displaying both vices and virtues. For example, the seemingly subservient, sweet Rebecca West ended up being a manipulative, dark individual that was capable of swaying Beata towards suicide. In addition, the ideals of Rosmer seemed admirable as he vowed to spread the ideas of the liberators and democracy; however, he ends up giving up his cause and ultimately dies through suicide with Rebecca at the close of the play. I also found it interesting that the ideals of the liberals were built up so idealistically in the beginning of the play. However, even the liberal Morning Star, supposedly created to promote the free spread of ideas, tells Rosmer that they cannot publish his non-Christian viewpoint--- Mortensgaard claims that the only thing that should be printed is what “our good public needs to know” (Act 2 Scene 5). Thus, the play becomes an intricate exploration of the daily lives of intricately linked characters.

2 Comments:

At 8:01 AM, Blogger Rebecca said...

I thought it was interesting that you said that the play was about “an intricate exploration of the daily lives of intricately linked characters.” It does seem like Rebecca and Rosmer both fail at their intended goals. However, it is difficult to find a deeper significance in the play other than the relationships that are formed between the characters. If Rebecca and Rosmer have to die to achieve anything, than what have they really achieved?

 
At 10:27 AM, Blogger Alan Norris said...

I don't know if I'm convinced that their suicides really had anything to do with actually achieving a specific goal, but more so became established thorough each of their regrets and confusion regarding an escape from each of their guilty consciences. Furthermore, neither Rosmer nor Rebecca are able to comfront themselves or deal with their crimes they have committed in the past. Now, neither one the characters could legitimately trust each other or themselves, therefore this is the only resolution either character could reach.

 

Post a Comment

<< Home